Portfolio

Monday, January 28, 2019

Desert Landscape

Moving through space and time in a new landscape makes my gypsy heart beat faster. Having recently returned from an inspiring trip through space and time in Cali I couldn't feel more nourished.

Joshua Tree National Park has been beckoning me for decades and when I heard that my friend and fellow painter, Theresa Passarello was going I couldn't resist meeting her there. Theresa picked me up at LAX and we headed straight for the desert. Once we were released from the endless traffic of LA we entered a landscape of rolling hills and spinning windmills with snow capped mountains in the distance. My blood was pumping. The thrill of a new vista is my favourite drug.


  
We stopped in Palm Springs to stretch our legs and drink a margarita in the sunshine. We decided to find our digs before dark as it was down a maze of sandy roads that felt like gopher trails in the desert. It was cold as the sun set but the light was golden and we were nestled into our cabin on a ranch between two mountains for the next few days. The silence in the desert is like darkness speaking, all encompassing and very present. 


The next day we rose before the sun and headed into a sky of fire colours. The strangely shaped silhouettes of Joshua Trees felt oddly like people.



Joshua Trees are actually not trees but succulents of the Yucca Family however they are referred to as trees of the desert. They are very slow growing and dependent on the yucca moth for pollination. They are highly sensitive to climate change and therefore on an endangered list. These trees are magnificent beings, unlike anything I have ever encountered before and very specific to this dessert landscape. I am so grateful that the National Park exists to protect and preserve these great tree beings.

I was reading Terry Tempest Williams, The Hour of the Land during my dessert travels and about the National Parks she has much to say but this stood out for me, 

"I see our national parks as our ongoing struggle as a diverse people to create circles of reverence in a time of collective cynicism where we are wary of being moved anything but our own clever perspective."






A surreal landscape unfolded as we wound our way through the silvery morning light. Huge sculptural rock outcroppings literally shape-shifted as we drove passed them. I could feel the dessert breathing and whispering deep in my bones. A holy sanctuary of desert wisdom surrounded us and you could sense it everywhere.  I knew nothing of these plants, these rocks, these trees, these shapes and textures. It was like falling in love with a beautiful stranger.


 

The thing about discovering a new landscape is that it is a bit like discovering a new part of yourself. There is an inner landscape that resonates with the outer one. 




The artist Lawrence Fodor says, "The way I work, in all its intuitive configurations, is generally a trail of discovering via random wandering - either in the haunts of my studio or anywhere else I travel and explore. As artist, the beauty, and all the revelations therein, is in stumbling onto the unexpected when we are in the midst of looking/not looking for something else entirely - that sensorily aware state of not assuming anything, not purposely looking for anything in particular completely in touch with the moment where we happen to be."



   

Our destination that morning was Cholla Cactus Garden. Joshua Tree is a unique park that straddles two desert eco systems. The Mojave is a higher cooler desert system than the Colorado desert which is much hotter and favourable to these Cholla Cactus, also called Teddy Bear Cactus because of their silvery spikes. The name Teddy Bear is misleading though because there are warning signs everywhere that these cactus spikes love to hop into your skin in a most tenacious and painful way.






After a morning stroll through this garden of unearthly shapes, textures and colours our inner landscapes were aglow with a whole new palette of colours. 




   


We spent the next few days climbing rocks and exploring the spaces and shapes that this desert landscape had to offer. Often the eroded rocks were punctuated by negative shapes of blue sky that constantly reminded us of Georgia O'Keefe's paintings. Climbing those rocks felt so all embracing and it was easy to become a part of this landscape's bones.


 
This ancient rock had been pushed to the surface from deep inside the earth millions of years ago. The wind, sun and elements have carved these rocks into desert beings that sit upon the desert floor and literally hum with energy. It is impossible not to be held in complete awe of their powerful presence.






"Behind the thing seen must lie the greater thing unseen..." 
~Freeman Tilden










No comments:

Featured Post

Air Canada purchases a painting for their collection

I was honoured to have a large 48" x 48" painting purchased by Air Canada last month.  I am always grateful when a corporatio...