The twisted roots embracing the rocks, the ancient rock cliffs, the deep dark pools and the roaring waterfalls all make me ecstatically happy when I am around them.
Showing posts with label roots. Show all posts
Showing posts with label roots. Show all posts
Tuesday, October 1, 2013
This is the Right Place
The twisted roots embracing the rocks, the ancient rock cliffs, the deep dark pools and the roaring waterfalls all make me ecstatically happy when I am around them.
Labels:
adirondacks,
artist,
artwork,
Ausable River,
autumn,
awareness,
beauty,
contemporary landscape,
gold leaf,
landscape,
painting,
river,
roaring,
rock,
roots,
travel,
trees,
waterfalls,
wilderness,
woods
Wednesday, January 30, 2013
Persephone's Ladder
This is a painting that physically forced itself out of me in a most vehement and violent manner. On occasion I feel that certain paintings rise up from deep in my psyche and use me as a vehicle to express themselves. I had nothing to do with this painting other than to let it pass through me onto the canvas, a painful experience. It now sits in the corner humming and buzzing with vibrations that are filling the studio and informing new ways of being with paint and canvas.
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| Persephone's Ladder / 60" x 40" / acrylic on canvas |
I don't dare attempt to articulate what is happening in this piece but I came across this conclusion of a 15 page academic paper by Bonnie Bright which is a glimpse into some of what I have been experiencing psychically lately....
"In spite of our current collective
cultural crisis, Jung inferred that the loss of instinct, the loss of
soul, which is the root of our pathology, can be restored through
reconnection with the sacred aspects of the natural and imaginal worlds.
Darkness is an aspect of nature. In our descent to reconnect with our
roots in wild nature, the deep levels of the psyche, like bees that are
lost from the hive, we may encounter destruction, violence, devouring
forces, dismemberment, death, and decay. We may battle dark forces, pit
our strength against demons, gatekeepers, and those who seek to destroy
instead of create. We may navigate unknown territory, dark waters, and
close, tight spaces. We may even enter in that impenetrable dark night
of the soul where all hope seems lost. But Jung urged us to look for the
seed in the darkness that will come to fruition and light, stating, “a
civilization does not decay, it regenerates” (as cited in Sabini, 2005,
p. 183).
The hive is being dismembered through the
loss of the bees, it behooves us to understand that dismemberment is
the first act of initiation. What is broken into pieces can be
re-membered and begun anew like the initiate who emerges as a powerful
shaman. It is possible, through the process of descent to reconnect with
the sacred earth, to restore our souls to their rightful wholeness,
both individually and as a culture. By re-membering our roots in the
sacred, by re- establishing right relations with nature and the
imaginal, we renew our trust in the power of soul to help us find our
way home."
This resonates with what I felt on a deep, intuitive level. The process of making this painting was excruciating and as I lay sobbing on the floor in front of it, I "saw" the ladder. Without hesitation, I grabbed for a chunk of charcoal and scrawled it in as a lifeline out of that hell that was burning inside and all around me...that imaginal ladder allowed for hope to enter into the painting and I knew I would make it out.
Monday, July 16, 2012
Return to the Source
This week-end I headed for Mont-Tremblant to escape the extreme heat of the city. I brought a pile of smaller paintings and set up under a tree at Place de la Gare in the old village.
I stayed with a friend who lives in a magical cabin perched amongst the rocks along the edge of a lake. There is no road to this little piece of wilderness bliss so she came to
pick me up in her small motorboat every evening.
I was happy to visit with my friends, the rocks and roots again. They had much to tell me and I loved listening to the silence of their textures and crevices.
As the days grew hotter, plunging into the lake was like slipping into a cool, silk gown, refreshing for body, mind and soul.
"Crying Lake" was painted one week before I encountered this lake. Did I paint the lake into my reality? or did the lake beckon me? When does the imaginal realm cross over?
"Crying Lake" was painted one week before I encountered this lake. Did I paint the lake into my reality? or did the lake beckon me? When does the imaginal realm cross over?
| Liminal Space / Sacred Space | ||||
| Crying Lake / 16" x 20" / acrylic on panel board |
Sometimes painting is a magical, mystical ride.
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